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Step into the eye of the storm: trembling thunder sheets, howling leaf blowers, churning wind machines.
In this new large-scale installation, Johannes Kreidler composes with air, vibration and pressure. There is an actuality to this experience.
From storms tearing across continents to turbines rising on contested ground, air in motion has become entangled with politics, land rights, and climate debates.
Whether in the Fosen case in Norway, where wind power encroaches on Sámi reindeer herding land, or in the Golan Heights, where turbine projects stir geopolitical tension, wind whips up both energy and conflict.
Jet Whistles lets us feel the aesthetics of air in motion – where force meets fragility, and nature clashes with technology. It touches the boundaries between body and climate, between politics and breath. Climate change is not just a reference. It is the engine, rhythm, and force of the work.
Nature asserts itself and refuses to be ignored. It strikes back, directly, unequivocally, and immediately: in hair that lifts, in lungs that feel the pressure, in skin that vibrates.
Facts
Technical illustration of "Jet Whistles / The Grand Exhalation"
Sculpture from "Jet Whistles / The Grand Exhalation"
Johannes Kreidler