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Forget loudspeakers and electricity: here, sound is made with wood, rope, and wind wheels, inspired by age-old techniques for conjuring storms on stage.
This is the tradition Lithuanian composer Arturas Bumšteinas listens to in Navigations. Invited to create a piece inspired by Luigi Russolo’s futuristic intonarumori (noise intoning machines) Bumšteinas tuned his ears to the past.
While Russolo in the early 1910s built buzzing, grinding and erupting instruments to pioneer industrial music, ancient Greek and Baroque theatres had already fashioned their own orchestras of noise with wind, rain and thunder simulators to stir the skies of staged drama.
Bumšteinas travelled through historical theatres across Europe, tracing the remnants of these early devices. Together with theatre carpenter Ernestas Volodzka, he reconstructed machines for simulating wind, rain and thunder.
In Navigations (2019–ongoing), an ensemble of five performers activates these weather-machines across an empty space. The paths of tropical cyclones unfold, thunder strikes wood, and seeds drift across the sea, carried by wind and rain.
The way weather was once heard—or imagined—now strikes our contemporary ears, marked by a climate in collapse and the thinning breath of a dying nature.
Facts
Navigations. Photo: Ilme Vysniauskaite
Arturas Bumšteinas. Photo: Ieva Rize
Navigations. Photo: Martynas Aleksa
Navigations. Photo: Martynas Aleksa